El Mehdi Essaouab · Creative Strategist
El Mehdi Essaouab Creative Strategy · DTC / E-commerce
E-commerce · DTC · Performance Creative

Marketing built on
how people think.

Creative strategist: marketing from A to Z, built on research and human psychology

I dig into a market until I understand the people in it: what they want, what they fear and why they buy. That's how I see a problem differently from everyone else in the category, and I turn it into the positioning, message and ads that sell.

Open to remote contract · freelance · retainer 10 to 20 hrs / week Remote · UTC+8 Live overlap: 8am to 12pm US Eastern

How I work

I map every angle in a market, from the one everybody runs to the one nobody does.

Good research does not stop at one clever idea. I cover the whole market: what competitors run, what the brand claims, and how real customers talk about their problem. Then I sort every angle, the proven ones everyone uses and the open ones nobody touches, so the team knows where to compete head on and where to stand out.

01 / MARKET

Read the market, then the brand

Competitors, category claims, and real customer language from reviews, forums and communities come first. Then the brand, checked against what the market actually says.

02 / CUSTOMERS

Classify every customer, find the underserved

Sort buyers by what they want, fear and struggle with. Map who every ad already targets, and who nobody is talking to yet.

03 / DELIVERY

Hand over everything needed to write the ad

Avatar, angle, awareness level, customer language, proof, claims to avoid, hooks and scripts. Ready to brief, shoot and test.

The three cases below are self-initiated spec research, not commissioned by the brands. No client relationship with these brands, no spend, no results claimed. (My real ads and real numbers are in the Operator section right below.) For one angle in each case I take it all the way to the hooks and scripts (shown in the "Hooks & script" panels); the other angles stop at the strategy, ready for a team to build. Every factual claim traces to a public source.

Messaging psychology

Know what the buyer already knows, then talk to that.

The same person needs a different ad depending on how much they already know about their problem and your product. I classify every customer and tag every hook by awareness level (Eugene Schwartz's five stages), so the message meets the buyer where they are instead of pitching too early or explaining too much.

01Unaware
What they know: nothing yet. They don't see the problem as a problem.
How I talk to them: open on a moment they recognize from their own life and let them see themselves in it.
"Noise made me leave every dinner early, until I found this." Loop
02Problem aware
What they know: the pain, in their own words. Not the fix.
How I talk to them: name the pain exactly the way they say it, then show there is a way out.
"Loud restaurants wreck you, but you still want to be with your friends. This is for you." Loop
03Solution aware
What they know: that fixes exist. They have doubts or a bad past experience.
How I talk to them: answer the objection head on and show why this one is different.
"I thought it was rude to wear earplugs while talking to people. Turns out nobody cares." Loop
04Product aware
What they know: the product. They're not sure it's right for them.
How I talk to them: proof, honesty, and a clear line on who it's for and who it isn't.
"If your skin gets oily by lunch, do NOT buy this balm. Here's who it's actually for." Jones Road
05Most aware
What they know: everything. They just need a reason to act now.
How I talk to them: remove the last risk and give a direct call to action.
"Order it now, pay on delivery." My gap-filler ad, Saudi Arabia
Customer awareness levelsMessaging psychologyCustomer classificationMarket & competitor researchCompetitor ad analysisAngle developmentCreative briefsHooks & scriptsUGC directionMeta creative testing
Operator experience · my own money

The real one: I ran my own DTC test, with my own cash.

The spec cases below show how I think. This is what I actually did with real money and a live ad account.

SELF-FUNDED
~$2,000

my own money, across 4 product tests

WINNER'S CPL
$3.89

cost per lead on the winning product

RESULT
4 → 1

products tested, one clear winner

I tested a gap-filler product into the GCC, mainly Saudi Arabia, where car culture and adventure are huge. I ran four product tests with about $2,000 of my own money. The fourth one was the winner. It brought in leads at a $3.89 cost per lead, so the demand was real.

Then the economics broke. After the Iran-US war, the landed cost per unit jumped from around $2 to around $6. That ate most of the margin and left me roughly $3 a unit. I had funding lined up to import at scale, but I stopped the operation anyway. I had spent the last of my own cash, and the margin was too thin to risk more.

The lesson I keep: demand is only half the business. Unit economics, logistics, and timing decide whether a winning ad becomes a real company. I would rather stop a risky operation than burn money I do not have.

The winning creative · 2 of my 4 test videos

The product was a car seat gap filler: it seals the gap between the seat and the console so your phone and keys stop falling in. I wrote, filmed, and directed these UGC-style ads in Saudi Arabic. English translation and the angle are under each one.

Ad 1 · problem-first hook

English: "Every time, my phone falls between the seat and the console and I have to reach in and dig it out. It was so annoying. With this product the gap is sealed. Nothing falls in anymore. Available now, cash on delivery."

Angle: open on the everyday annoyance everyone recognizes, show the one-second fix, close on cash on delivery (the trusted way to buy in the market).

Ad 2 · curiosity hook + captions

English: "Why did nobody tell me about this sooner? My phone and keys always fall into the gap between the seat and the console. Honestly it got annoying. Now I've sealed the gap. Nothing falls in there anymore. Order it now, pay on delivery."

Angle: a stronger "why did nobody tell me" discovery hook, on-screen Arabic captions for silent autoplay, and a clear install demo before the same cash-on-delivery close.

Real project, from my own ad account. Figures are approximate, from memory. I stopped it for an honest reason: a cost jump after the Iran-US war made the unit economics too risky to keep spending on.

Selected work · 3 spec case studies

Three examples of the method, not the limit of it. Each one shows the crowded angles everyone runs, then the open customers they miss. The same process works on any DTC product.

Case 01 · reusable earplugs

Loop Earplugs

Loop sells good-looking earplugs that turn the volume down instead of blocking sound out. Their famous ad sells the concert. But the people who talk about Loop like it changed their life mostly aren't at a concert.

The saturated lane: what everyone already runs

"Protect your hearing at loud events without missing the vibe." The most-run message in the category, and where Loop already spends. Competing here means fighting the brand's own budget with a weaker version of their best-known story.

4 opportunity angles
ANGLE 01

The everyday sensory survival kit

Overstimulated ADHD / autistic adultMisophonia sufferer

The tensionThey do not want to block the world out. That feels isolating and unsafe. They want to take the edge off so they can keep functioning at work, in shops, on the train. Reduce, don't silence.

"I wear them wherever I tend to get overstimulated."

Recurring across ADHD and sensory communities

Why it's the opportunityLoop's paid creative leans aesthetic and event-driven. The daily-functioning story is enormous in the reviews and barely in the ads, and it hits harder. For this person earplugs aren't a Saturday-night extra. They're how they get through a Tuesday.

› Proof & guardrails
The ad must prove
  • What "reduce, not silence" really means: you still hear a coworker talk to you
  • A real day, not a stage
  • Honest trade-offs: slightly muffled, own-voice can feel plugged
It must never claim
  • That it treats or cures misophonia, tinnitus, ADHD or autism. It's a coping tool, not a medical device
My move nextDecide whether to lead on work focus or public overwhelm (they're different scripts), then write the hook against one specific moment.
ANGLE 02

"Still at the table"

Loud-restaurant social burnoutParent at a noisy party

The tensionThey love their friends but leave loud bars fried and go home early. They want to stay and actually hear the conversation. The fear is social.

"Isn't it rude to wear earplugs while someone's talking to me?"

The objection this angle has to answer

Why it's the opportunityIt flips earplugs from "blocking people out" to "being able to stay in the room." That reframe is emotional, specific, and I almost never see it run as a paid angle.

› Proof & guardrails
The ad must prove
  • You can still follow a conversation across a table (the Engage model keeps speech clear)
  • The honest limit: quieter and slightly filtered, not perfect natural hearing
It must never claim
  • Perfect, unaltered hearing. That's a different product category
My move nextPick the venue that hurts most for the target (dinner party, wedding, open-plan happy hour) and build the before/after around staying vs bailing.
Hooks & script · done
Three hooks, one emotional lane each:
  1. Identity · problem aware: "Loud restaurants wreck you, but you still want to be with your friends. This is for you."
  2. Objection · solution aware: "I thought it was rude to wear earplugs while talking to people. Turns out nobody cares, and I can finally actually communicate."
  3. Transformation · unaware: "Noise made me leave every dinner early, until I found this."
Sample script (transformation, ~30s):

"Every single time. The place would get loud, my head would start pounding, and by nine I was already in an Uber home feeling like the boring one. Then a friend put me onto these. They don't cut everything out. They just take the noise down, so I can hear people without the room roaring over them. Last week I stayed till they kicked us out. First time in years I wasn't the first to leave."

ANGLE 03

The light sleeper with a snoring partner

Light sleeper next to a snorerDay-sleeping shift worker

The tensionThey've tried foam plugs and hated them. They fall out and dig into your ear when you sleep on your side. They want something comfortable enough to side-sleep in that still knocks the snoring down. A reviewer described finally getting a solid eight hours after weeks of broken sleep.

Why it's the opportunity"Better sleep" is generic. "My partner snores and it's wrecking me" is specific and a little funny, and it's a real reason people buy. It's sharper than the calm-bedroom shots the category usually runs.

› Proof & guardrails
The ad must prove
  • Real side-sleeping comfort. The foam-plug failure is the whole reason they're shopping
  • Honesty: loud sounds still get through; this softens snoring, it doesn't deliver silence
It must never claim
  • Silence, or that it treats a sleep disorder
My move nextDecide if the hero is the sleeper or the loveable, guilty snorer. That choice sets the whole tone.
ANGLE 04

New-parent noise overwhelm · handle with care

Flooded postpartum parent

The tensionCrying, the TV, the dishwasher, the doorbell, all at once, on no sleep. They want everything turned down a notch so they don't snap, but they're terrified of not hearing their baby. "Reduce, don't silence" is the exact reassurance.

Why it's the opportunityAlmost nobody advertises to this parent directly. The feeling is heavy and real, and that's what stops the scroll.

› Proof & guardrails
The ad must prove
  • That you clearly still hear your child. If that proof isn't obvious, the angle is dropped
It must never claim
  • Any safety guarantee, or that it's fine to tune a child out
My move nextOnly run it if the "you still hear them" proof is airtight. If it isn't, kill it. The risk here is brand safety, not just a weak ad.
If a team could test one thing first

Start with Angle 01 (everyday sensory) or Angle 02 (still at the table). Both go after a big customer the concert ad ignores, and both have honest proof you can film. Angle 03 is the easiest lighter-toned win; Angle 04 is highest-warmth, highest-risk.

Honest boundary: I found strong evidence these customers and tensions exist and are underserved in Loop's ads. I did not prove any angle converts. That's what the test is for.

Sources (retrieved 2026-09-22): Loop US product / compare pages · audiologist & hands-on reviews (TechRadar) · neurodivergent-use write-ups · owner discussion across sensory / ADHD / sleep communities · NIDCD & CDC on noise exposure.